In some ways, it might make more sense if I wrote this post about some of my least-read pieces of 2016, because I value almost everything I write equally and never quite know why some get widely read and others just seem to be of only marginal interest to others. I of course prefer to blame social media and its vagaries, but in some cases it might be the photos I chose, the headline I drafted or the relative idiosyncrasy of the subject.

Because this year was the first during which I was writing for not one but two sites – my personal site and ArtsIntegrity.org, there are really two lists here, a top ten for the former and a top five for the latter. While I list each set by date published, rather than “popularity,” I am pleased to say that between the two sites, my total number of views this year was a 50% increase over last year. My concerns over cannibalizing my own readership proved unfounded.

You can access any posts you haven’t read, or wish to re-read, by clicking on the titles below. Thanks to everyone who read, shared, commented, liked or retweeted anything I had to say this year.

HESHERMAN.COM

January 25 Something Unpredictable With “American Idiot” in High School Theatre

This proved to be a two-part story, with a teacher claiming that the school had shut down his attempt to present the Green Day musical, which it had, only to ultimately find that the teacher had never secured the rights or any permission to make changes in the script that he had been trumpeting.

February 6 Is A Play of Plays Making Fair Use of Playwrights Words?

When a small performance in a Seattle bookstore, using only male dialogue from the ten most produced plays in the prior year, began to get cease and desist notices, I pondered the possibility that the collaged new script might fall under the fair use provisions of copyright law.

April 9 88 Years on 88 Keys: Tom Lehrer, The Salinger of the Satirical Song

The popularity of this post surprised me, but it also made me very happy. Apparently there’s so little written about the great Tom Lehrer that even my cursory overview proved to be catnip to his fans, and perhaps reached a few new converts as well.

July 8 Lin-Manuel Miranda: “Life’s A Gift, It’s Not To be Taken for Granted”

There’s no question about the appetite for all things Lin-Manuel and Hamilton, and traffic to this post came so fast that it shut down my site for a day and a half. He’s such a thoughtful guy, and what he had to say is so much more than simply fan service.

August 2 The Frightened Arrogance Behind “It’s Called Acting”

A challenge to those who push back against authenticity in casting when it comes to race and disability.

September 3 Wells Fargo To Arts Kids: Abandon Your Dreams

A foolish ad campaign caused no small amount of consternation in the arts community. But Well Fargo was in fact guilty of even more serious offenses in 2016.

September 8 When Deaf Voices Are Left Out Of “Tribes”

Another piece about authenticity in casting, about an Iowa production of Tribes that made no real effort to seek a deaf performer for the leading role.

October 13 In New Musical About Amputee, Faking Disability

In Canada, runner Terry Fox, a leg amputee, became a national hero before succumbing to cancer. So why on earth did a musical about him essential create a puppet leg, rather than find an actor who is an amputee?

November 9 A Post-Election Plea, To The Theatre and its Artists

When I began my commute the morning after the election, I had no intention to write anything, but over the course of one subway, this piece formed itself in my mind, and I wrote it in about an hour. I look at it now, and I don’t entirely recognize it as mine. It just poured out of me.

December 4 The Incredibly True Origins of Mike Hot-Pence, Times Square Icon

When I happened upon an activist using his looks to raise funds for progressive causes in Times Square, I caught lightning in a bottle, and over the course of the next two weeks, news of Mike Hot-Pence literally traveled around the world. This is the post, and the photo, that started it all.

ARTS INTEGRITY.ORG

March 9 A White Christmas (Eve) is Nothing to Celebrate on “Avenue Q”

The Character of Christmas Eve in the musical Avenue Q is specified as being from Japan. But while companies always manage to find a black actress for the role of Gary Coleman in the show, they seem to have no problem employing yellowface for Christmas Eve. This is but one example.

June 10 In Wake of Profiles Theatre Expose, A Few Points To Know

The Chicago Reader deserves enormous praise for their expose about a culture of harassment at the now defunct Profiles Theatre. Focus on the story was such that even my ancillary post, which primarily served to address the rights to their next planned production, proved of interest, and I kept updating as the situation played out to the end.

June 17 A Canadian High School Tries Too Hard to Get the Rights to “Hamilton”

A Canadian high school shouldn’t didn’t have the rights to give a performance that included six fully staged numbers from Hamilton, let along charge for it. But when they went after major media attention, and got it, their videos got shut down.

July 15 In A Maryland County, Taxing School Theatre In Pay To Play Plan

In Baltimore, a school board imposed a $100 per student fee to participate in school plays, even though the district doesn’t provide funding for the self-sustaining productions. I took an early look at the still evolving situation, and expect to return to it in 2017.

August 15 Quiara Alegría Hudes (and Lin-Manuel Miranda) on Casting “In The Heights”

In Chicago, a controversy over the casting of a non-Latinx actor as Usnavi in In The Heights. This post involves very little writing by me. It records for posterity a statement from bookwriter Quiara Alegría Hudes that was originally shared on Facebook by Victory Gardens Theatre artistic director Chay Yew, and because some questioned Lin-Manuel’s position, I confirmed that he was 100% with Quiara – not that I really had any doubts, but to silence those who did.

BONUS

Although it was published in early December of 2015, my conversation with Lin-Manuel Miranda about race in the casting of both In The Heights and Hamilton continued to be widely read in 2016, so much so that had it been new, it would have ranked in this year’s Top 10 from hesherman.com – just as it was last year. It may well be evergreen, though I hope to revisit the subject with Lin once again, most likely in early 2018, after the London opening of Hamilton.

Photo of Lin-Manuel Miranda © 2016 Howard Sherman

Casting Notice for American Idiot at Enfield High School

“Welcome to a new kind of tension.
All across the alienation.
Where everything isn’t meant to be okay.”

The details are very sketchy. The drama director hasn’t yet responded to a call or e-mail. The school principal said that he “wasn’t comfortable” talking about it without the approval of the superintendent, which he did say he would seek. The licensing house that handles the rights for the musical has not responded to an e-mail inquiry about approved changes (although the company’s president is overseas). An anonymous source who provided some background materials won’t be named publicly because they fear recriminations against their child in the school system.

But here’s what’s known: the Enfield High School Lamplighters, in Enfield CT, were scheduled to perform the musical American Idiot this spring, with auditions set for January 13 and 14, with callbacks on January 15. Performances were set for early May.

On January 17, Nate Ferreira, faculty director of the Lamplighters, sent a general e-mail to the school community which included the following statement:

As most of you know, we had a drama club meeting this past Wednesday to discuss the details of producing “American Idiot” as our final show this school year. Due to the mature content of the original production, I have been working with the publisher to modify the script, to ensure that it would be appropriate for a high school group to perform.

This project was very successful, and we feel that the modified script and production notes maintain the integrity of the show, while removing profanity and the more adult scenarios in the original Broadway production. The publisher is even starting the process of turning our edited version of the script into their official “School Edition” of the play, to allow other high schools to easily perform this play in the future.

As I’ve stated at our student/parent meetings during the past two school years: this extended production process was intended to allow us to work on a show that most of the kids were extremely excited about, while continuing the award-winning Lamplighters tradition of exploring serious issues in a mature and responsible way. In the same way that our presentation of the student-authored and directed “Happily Never After” last year did an excellent job of handling the difficult issues of domestic abuse and justifiable homicide, “American Idiot” opens discussion about many issues of young adulthood.

Unfortunately, a very small number of extremely vocal people have complained about our choice of production. This led to Mr. Longey [principal Andrew Longey] and I meeting on Friday to discuss a change in our choice of production. To be clear, Mr. Longey did not force us to change – he and I took a long and careful look at all aspects of the show, and all arguments on either side. At this late stage it is very difficult to switch to a different play, but I do feel that it is best for us to set aside “American Idiot” for the time being. I want ALL of our club members to be able to be a part of our musical, and I want to be absolutely certain that the play happens at all.

Billie Joe Armstrong in American Idiot on Broadway

Currently, the last post on the Lamplighters Facebook page is a reference to a meeting on January 20. There is no announcement of a new show for the spring.

While hopefully more details will fall into place, there is someone else who would like to see the production of American Idiot go on. I reached out to Christine Jones, who designed the set for the Broadway production of American Idiot, in an effort to make Green Day frontman Billie Joe Armstrong, the composer and lyricist of the show, aware of the situation. Armstrong sent back the following message through Jones in a little over an hour’s time, and reportedly also posted it on Instagram (it is reproduced here precisely as he wrote it):

dear Enfield high school board,

It has come to my attention that you cancelled your high school theater production of American Idiot.

I realize the content of the Broadway production of AI is not quite “suitable” for a younger audience.

However there is a high school rendition of the production and I believe that’s the one Enfield was planning to perform which is suitable for most people.

it would be a shame if these high schoolers were shut down over some of the content that may be challenging for some of the audience. but the bigger issue is censorship. this production tackles issues in a post 9/11 world and I believe the kids should be heard. and most of all be creative in telling a story about our history.

I hope you reconsider and allow them to create an amazing night of theater!

as they say on Broadway ..

“the show must go on!”

rage and love

Billie Joe Armstrong

P.S. I love that your school is called “Raiders”

Mr. Ferreira seems to have followed every appropriate step in the process of planning this show for Enfield High, but the production has been suspended. Yet he is still hoping that American Idiot will be done at some point. So is its author, who has apparently granted permission to alter the work to make it more appropriate in a school setting. Perhaps there’s still room for dialogue, and Enfield High can still give its students the opportunity to take on challenging, modern work.

If indeed a few parents resulted in spoiling this experience for all of the Lamplighters, that would be a real shame that denies opportunity to many in order to satisfy the views of a few. I’d rather at this turning point, the school was directing the students where to go – towards work that will help them grow as performers and as people, towards work that provokes rather than palliates. I hope they’re allowed to have the time of their lives with American Idiot, sooner than later.

Update, January 25, 10:45 pm: In an article in The Hartford Courant that went online an hour ago, the Lamplighters director Mr. Ferreira represents his intended revisions to the text of American Idiot in a markedly different framework than he did in his e-mail to the school community. Per The Courant:

Ferreira said the performance included “a lot of swearing,” which Ferreira said he’d hoped to limit or eliminate pending approval from the publisher. “There’s some heavy drug use and graphic sex scenes, not things we were going to depict to the extent they did in the original show.”

This is a far cry from the tone of Ferreira’s e-mail, which declared:

“I have been working with the publisher to modify the script, to ensure that it would be appropriate for a high school group to perform. This project was very successful, and we feel that the modified script and production notes maintain the integrity of the show, while removing profanity and the more adult scenarios in the original Broadway production. The publisher is even starting the process of turning our edited version of the script into their official “School Edition” of the play, to allow other high schools to easily perform this play in the future.”

In my original post, I said it seemed that Ferreira had followed the appropriate steps, and now by his own admission, that is clearly not the case; he did not have approval to make any changes, he had not undertaken a successful project that would influence future productions. While I think there may still be opportunities for Enfield students to benefit from performing in American Idiot, they cannot do so in any version not fully approved by the authors and their representatives.

I don’t support a small number of parents ending the opportunity for the majority of the Lamplighters, but I also don’t support Ferreira’s effort to aggrandize his own sanitized version of the text. This has been a lose-lose proposition at Enfield High: the show has been shut down without being properly defended, and there has been an effort to misrepresent to the community that Ferreira’s text was authorized and even praised, obscuring the authors’ rights and copyright protections.  Unfortunately, the students lose as well.

Update, January 26, 6:30 am: I received the following e-mail from Nate Ferreira at 1:55 am this morning, more than 17 hours after I first attempted to contact him, 14 hours after Principal Longey said he could not comment without the approval of the superintendent, 11 hours after my original post went online, and three hours after the previous update was posted. It is reproduced in its entirety precisely as it was received (except for the lack of paragraph spacing, which is a formatting problem on my site).

Thank you for reaching out to me. I’m sorry that I didn’t see your email until after you had finished writing your post.

Here are some more details regarding our decision not to perform American Idiot. As the director of the school’s drama club, I was very excited to produce American Idiot, and to explore the issues raised by the material.

Due to the fact that some of our club families were not comfortable with their kids being involved in the show, it was my decision to perform a different show. This was not a decision forced on me by the school administration, it was simply what i felt was best for our club membership. Many of the kids were disappointed by this decision, but others were happy because this would allow them to be involved again. I had also begun to feel that the material itself would be better served if I were to stage American Idiot _unedited_ with another local organization, and encourage the families who still wanted to do the show to become involved with it there.

My decision to change the show came prior to finalizing the contract and payment, prior to any rehearsal, and prior to casting or auditions. As with any show that would require edits for a high school group, I had a full list of changes that I felt were necessary to the dialogue, and they would have had to meet approval by the publisher. I made several phone calls to MTI during the past year, and their staff were extremely helpful in explaining the procedures for requesting edits.

I stand by my decision to change our choice of production, and I have always felt that the school administration has been supportive of our efforts.

That being said, I am elated that people like yourself are fighting for the freedom of thought and expression that is so vital to the arts. Your coverage of our situation has helped to shed light on the issue, and to spark serious discussion in our community. Mr. Armstrong’s support has likewise invigorated our students. Although we will not be performing American Idiot for our end of year production, you can be sure that the Lamplighters will continue to push boundaries and explore serious issues.

Thanks again,

Nate Ferreira

Director, Enfield Lamplighters

This post will be updated as additional information becomes available.

Thanks to the National Coalition Against Censorship, which first became aware of this situation and brought it to my attention.

Howard Sherman is director of the Arts Integrity Initiative at The New School College of Performing Arts

American Idiot at Enfield High casting notice

“Welcome to a new kind of tension.
All across the alienation.
Where everything isn’t meant to be okay.”

The details are very sketchy. The drama director hasn’t yet responded to a call or e-mail. The school principal said that he “wasn’t comfortable” talking about it without the approval of the superintendent, which he did say he would seek. The licensing house that handles the rights for the musical has not responded to an e-mail inquiry about approved changes (although the company’s president is overseas). An anonymous source who provided some background materials won’t be named publicly because they fear recriminations against their child in the school system.

But here’s what’s known: the Enfield High School Lamplighters, in Enfield CT, were scheduled to perform the musical American Idiot this spring, with auditions set for January 13 and 14, with callbacks on January 15. Performances were set for early May.

On January 17, Nate Ferreira, faculty director of the Lamplighters, sent a general e-mail to the school community which included the following statement:

As most of you know, we had a drama club meeting this past Wednesday to discuss the details of producing “American Idiot” as our final show this school year. Due to the mature content of the original production, I have been working with the publisher to modify the script, to ensure that it would be appropriate for a high school group to perform.

This project was very successful, and we feel that the modified script and production notes maintain the integrity of the show, while removing profanity and the more adult scenarios in the original Broadway production. The publisher is even starting the process of turning our edited version of the script into their official “School Edition” of the play, to allow other high schools to easily perform this play in the future.

As I’ve stated at our student/parent meetings during the past two school years: this extended production process was intended to allow us to work on a show that most of the kids were extremely excited about, while continuing the award-winning Lamplighters tradition of exploring serious issues in a mature and responsible way. In the same way that our presentation of the student-authored and directed “Happily Never After” last year did an excellent job of handling the difficult issues of domestic abuse and justifiable homicide, “American Idiot” opens discussion about many issues of young adulthood.

Unfortunately, a very small number of extremely vocal people have complained about our choice of production. This led to Mr. Longey [principal Andrew Longey] and I meeting on Friday to discuss a change in our choice of production. To be clear, Mr. Longey did not force us to change – he and I took a long and careful look at all aspects of the show, and all arguments on either side. At this late stage it is very difficult to switch to a different play, but I do feel that it is best for us to set aside “American Idiot” for the time being. I want ALL of our club members to be able to be a part of our musical, and I want to be absolutely certain that the play happens at all.

Currently, the last post on the Lamplighters Facebook page is a reference to a meeting on January 20. There is no announcement of a new show for the spring.

Billie Joe Armstrong in American Idiot on Broadway

While hopefully more details will fall into place, there is someone else who would like to see the production of American Idiot go on. I reached out to Christine Jones, who designed the set for the Broadway production of American Idiot, in an effort to make Green Day frontman Billie Joe Armstrong, the composer and lyricist of the show, aware of the situation. Armstrong sent back the following message through Jones in a little over an hour’s time, and reportedly also posted it on Instagram (it is reproduced here precisely as he wrote it):

dear Enfield high school board,

It has come to my attention that you cancelled your high school theater production of American Idiot.

I realize the content of the Broadway production of AI is not quite “suitable” for a younger audience.

However there is a high school rendition of the production and I believe that’s the one Enfield was planning to perform which is suitable for most people.

it would be a shame if these high schoolers were shut down over some of the content that may be challenging for some of the audience. but the bigger issue is censorship. this production tackles issues in a post 9/11 world and I believe the kids should be heard. and most of all be creative in telling a story about our history.

I hope you reconsider and allow them to create an amazing night of theater!

as they say on Broadway ..

“the show must go on!”

rage and love

Billie Joe Armstrong

P.S. I love that your school is called “Raiders”

Mr. Ferreira seems to have followed every appropriate step in the process of planning this show for Enfield High, but the production has been suspended. Yet he is still hoping that American Idiot will be done at some point. So is its author, who has apparently granted permission to alter the work to make it more appropriate in a school setting. Perhaps there’s still room for dialogue, and Enfield High can still give its students the opportunity to take on challenging, modern work.

If indeed a few parents resulted in spoiling this experience for all of the Lamplighters, that would be a real shame that denies opportunity to many in order to satisfy the views of a few. I’d rather at this turning point, the school was directing the students where to go – towards work that will help them grow as performers and as people, towards work that provokes rather than palliates. I hope they’re allowed to have the time of their lives with American Idiot, sooner than later.

Update, January 25, 10:45 pm: In an article in The Hartford Courant that went online an hour ago, the Lamplighters director Mr. Ferreira represents his intended revisions to the text of American Idiot in a markedly different framework than he did in his e-mail to the school community. Per The Courant:

Ferreira said the performance included “a lot of swearing,” which Ferreira said he’d hoped to limit or eliminate pending approval from the publisher. “There’s some heavy drug use and graphic sex scenes, not things we were going to depict to the extent they did in the original show.”

This is a far cry from the tone of Ferreira’s e-mail, which declared:

“I have been working with the publisher to modify the script, to ensure that it would be appropriate for a high school group to perform. This project was very successful, and we feel that the modified script and production notes maintain the integrity of the show, while removing profanity and the more adult scenarios in the original Broadway production. The publisher is even starting the process of turning our edited version of the script into their official “School Edition” of the play, to allow other high schools to easily perform this play in the future.”

In my original post, I said it seemed that Ferreira had followed the appropriate steps, and now by his own admission, that is clearly not the case; he did not have approval to make any changes, he had not undertaken a successful project that would influence future productions. While I think there may still be opportunities for Enfield students to benefit from performing in American Idiot, they cannot do so in any version not fully approved by the authors and their representatives.

I don’t support a small number of parents ending the opportunity for the majority of the Lamplighters, but I also don’t support Ferreira’s effort to aggrandize his own sanitized version of the text. This has been a lose-lose proposition at Enfield High: the show has been shut down without being properly defended, and there has been an effort to misrepresent to the community that Ferreira’s text was authorized and even praised, obscuring the authors’ rights and copyright protections.  Unfortunately, the students lose as well.

Update, January 26, 6:30 am: I received the following e-mail from Nate Ferreira at 1:55 am this morning, more than 17 hours after I first attempted to contact him, 14 hours after Principal Longey said he could not comment without the approval of the superintendent, 11 hours after my original post went online, and three hours after the previous update was posted. It is reproduced in its entirety precisely as it was received (except for the lack of paragraph spacing, which is a formatting problem on my site).

Thank you for reaching out to me. I’m sorry that I didn’t see your email until after you had finished writing your post.

Here are some more details regarding our decision not to perform American Idiot. As the director of the school’s drama club, I was very excited to produce American Idiot, and to explore the issues raised by the material.

Due to the fact that some of our club families were not comfortable with their kids being involved in the show, it was my decision to perform a different show. This was not a decision forced on me by the school administration, it was simply what i felt was best for our club membership. Many of the kids were disappointed by this decision, but others were happy because this would allow them to be involved again. I had also begun to feel that the material itself would be better served if I were to stage American Idiot _unedited_ with another local organization, and encourage the families who still wanted to do the show to become involved with it there.

My decision to change the show came prior to finalizing the contract and payment, prior to any rehearsal, and prior to casting or auditions. As with any show that would require edits for a high school group, I had a full list of changes that I felt were necessary to the dialogue, and they would have had to meet approval by the publisher. I made several phone calls to MTI during the past year, and their staff were extremely helpful in explaining the procedures for requesting edits.

I stand by my decision to change our choice of production, and I have always felt that the school administration has been supportive of our efforts.

That being said, I am elated that people like yourself are fighting for the freedom of thought and expression that is so vital to the arts. Your coverage of our situation has helped to shed light on the issue, and to spark serious discussion in our community. Mr. Armstrong’s support has likewise invigorated our students. Although we will not be performing American Idiot for our end of year production, you can be sure that the Lamplighters will continue to push boundaries and explore serious issues.

Thanks again,

Nate Ferreira

Director, Enfield Lamplighters

This post will be updated as additional information becomes available.

Thanks to the National Coalition Against Censorship, which first became aware of this situation and brought it to my attention.

Howard Sherman is director of the Arts Integrity Initiative at The New School College of Performing Arts