Even if I were to attend the Board of Education meeting of the South Williamsport Area School District in Pennsylvania this coming Monday, September 22, I couldn’t speak. That’s because the district only allows comment from residents and taxpayers, and I am neither. Even if I were permitted to speak, I very likely would only be permitted to make a statement, since many school boards allow public comments at meetings, but don’t necessarily engage in dialogue. I have no idea what the practice is in South Williamsport.
I remain very concerned about the school’s decision to cancel the musical Spamalot due to, in the words of Principal Jesse Smith, “homosexual themes.” This is no longer an issue about play choice, but about institutional bias. As a result, I have a lot of questions I wish I could ask, both at that meeting and elsewhere in South Williamsport, about all that has transpired over this clear effort to suppress any portrayal of gay life at the Junior/Senior High School, even in a piece as non-doctrinaire as a Monty Python musical.
So all I can do I toss my questions out into the universe, hoping that perhaps a resident or taxpayer might ask them, or speak to them, before Monday night, during the Board of Education meeting itself, and afterwards.
1. Principal Jesse Smith: when this story was first reported, a quote was falsely attributed to you, which has rightly been corrected and/or excised. In school e-mails, you expressed concern that this falsely attributed statement made you look like a bigot. However, the central issue remains – you don’t think it appropriate for homosexual characters or relationships to appear in a school show. This leads me to ask an obvious question: do you personally support or oppose equal rights for all people – gay, straight, bisexual and transgender? Do you personally think the portrayal of gay characters in Spamalot is inappropriate in a school setting, or are you acceding to the opinions and wishes of those who do?
2. Superintendent Mark Stamm: internal e-mails from the school have you declaring that Mr. Smith’s original decision on this issue is “sound.” Therefore, it’s only natural to ask you the same question put to him: do you personally support or oppose equal rights for all – gay, straight, bisexual or transgender?
3. Board of Education chair John Engel: On July 3, regarding the initial assertions that Spamalot was canceled due to gay content, a story from PennLive/Patriot-News said, “Homosexuality did not enter into that decision, Engel said.” The released e-mails prove that homosexuality was the reason for the decision. So, were you given false information by school district staff that led you to make this incorrect statement, or were you attempting to obscure the facts? As an elected official, what is your position regarding the dissemination of incorrect information to the public by any member of the school staff or school board?
4. WNEP Television: You first reported the story of the cancelation of Spamalot and, regrettably, that story contained a noteworthy error which proved distracting. Several days later, you aired a second story about the community coming together. However, since then, you have not reported on the story at all, even after multiple sources revealed that indeed it was the show’s gay content that provoked censorship. Is this fulfilling your responsibility as a source of local news? Have you scared yourselves away from covering an important story?
5. PennLive.com/Patriot-News: You also wrote about the Spamalot controversy when it first broke in July, but have not written about it since the school e-mails were revealed. Why do you not consider those facts newsworthy, especially since they contradict material you previously reported?
6. The news staff of the Williamsport Sun-Gazette: Why did it take a blogger and a progressive advocacy organization to bring forward the truth of the reasons for Spamalot’s cancelation through Right-to-Know requests? Given the information you published originally, it was clear there were varying accounts, and there was an obvious way to clear things up. Why didn’t you do this on your own? Why, once the e-mails were revealed, did it take you another 10 days to report the story?
7. The editorial page staff of the Williamsport Sun-Gazette: Since your paper ultimately wrote about the release of e-mails which made clear that Spamalot was canceled due to its “homosexual themes,” and prior statements from school administrators had been designed to obscure that fact, you have not mentioned this issue at all – either with any letters to the editor or an editorial. In fact, you haven’t offered an editorial about this situation at all since the story first emerged in early July, even though you have managed 10 pieces relating to the Federal government, including terrorism and the IRS, among many others, in that time. Why haven’t you written a word about a case of anti-gay bias in your own backyard?
8. Superintendent Stamm: When you spoke to the Sun-Gazette about the released e-mails, you spoke about statements being taken out of context. However, as the Right-to-Know administrator for the district, you were personally responsible for redacting the context in the e-mails, presumably with advice of counsel. Is it reasonable to complain about lack of context that you blacked out? Also, you defended Mr. Smith’s signature on a check for the rights to Spamalot by saying the attached contract was folded. Is folded material a legitimate excuse for not understanding why disbursements are being made?
9. To the (claimed) South Williamsport area parent who contacted me via my website: You wrote, “I have a child that attends the So. Wmspst school district and would never want him exposed to that sexual sin. There are still parents and students and many members of our community who do not agree with homosexuality or gay marriage… We have freedom of speech also-I don’t want to see our innocent children exposed to that. They don’t need to grow up thinking that it’s normal. Some of us still have morals. Keep it out of South!” Your freedom of speech absolutely does guarantee you the right to express your opinions. However, a public school has the responsibility to prepare students for life and to teach them about the world beyond their local community. Do you believe that your disagreement with aspects of the world can dictate what students learn and perform?
10. All officials and residents in South Williamsport: national news reports on this issue have the potential to leave a lasting image of your town as one that does not believe in inclusion and equality. Will you make a public effort to assure members of the local, regional and national community that South Williamsport accepts, respects and welcomes all people as equals, without regard to gender, age, race, religion, disability or sexual orientation?
I realize that my questions go far beyond the scope of a Board of Education meeting. But that meeting is as good a reason and opportunity as any to start raising these questions, since they arose from a school issue. Now all I can do is hope that they get asked.
“Just think,” says Sir Lancelot, of his nuptials to a young man named Herbert in Monty Python’s Spamalot, “In a thousand years time, this will still be controversial.” The administration of the South Williamsport, Pennsylvania, Junior/Senior High School seems determined to prove the gallant knight prescient, as it has canceled a planned 2015 production of the musical due to its “homosexual themes.”
When the cancellation was first reported in early July, the reporting was based primarily on charges by the school’s drama director, Dawn Burch, who spoke of an email she said she had received from the school’s principal, Jesse Smith, requiring a change of show. On advice of counsel, Burch did not provide the email to the press.
At the time, reports focused heavily on a statement attributed to Smith, about homosexuality not existing in South Williamsport—a statement that was quickly disavowed by all concerned and rescinded by its original source, a news report from television station WNEP. School board president John Engel and superintendent Dr. Mark Stamm appeared at a July 3 community event organized by Equality Central PA to debunk the statement, though they did not speak to the larger issue of whether gay content was the cause of the cancellation. In the press, Stamm also asserted thatSpamalot had never been approved for production according to school procedure. “School: ‘No way’ on play—but not due to gays,” read a headline in the Williamsport Sun-Gazette on July 3, in advance of the forum.
Last week, as a result of a release of emails requested through Pennsylvania’s Right-to-Know law, it became clear that the musical’s gay content was, in fact, singularly and explicitly the reason for its cancellation. In a June 27 e-mail from Smith to Burch, he wrote:
I am not comfortable with Spamalot and its homosexual themes for two main reasons:
1. Drama productions are supposed to be community events. They are supposed to be performances that families can attend. To me, this kind of material makes it very hard for this to take place. I don’t want families to be afraid of bringing small kids because of the content. I don’t want members of the community staying home because they feel the material is too risqué or controversial.
2. I think that choosing productions with this type of material or productions that may be deemed controversial put students in a tough spot. I don’t want students to have to choose between their own personal beliefs and whether or not to take part in a production.
When Burch appealed to the superintendent on June 30, he replied, in the only readable portions of a heavily redacted email:
[School Principal] Jesse [Smith] has given the drama program considerable time and attention this year. He has thoroughly explained his reasons regarding show selections to you and discussed them with me as well. His decision is sound.
As for Stamm’s assertion that the musical was never approved for production, the released documents include a $1,935 check from May 12, 2014, payable to Theatrical Rights Worldwide, the licensor of Spamalot, signed by Smith, as well as a check request and contract dated a week earlier, signed by Burch, for the rights to the play. While the check doesn’t specify that it is for Spamalot, it is unlikely that Smith would have assumed the check was payment in arrears for the school’s spring musical presented in March, as standard show licensing practice is for advance payment.
Following the release of the internal communications by the school in mailings dated Aug. 18, the contents were disclosed by the two parties that had filed a request for them: progressive advocacy organization Keystone Progress (via press release, including links to the complete document set) and me (via blog post) on Aug. 21. This yielded a half-dozen national news stories, but to date, no local or regional press outlet in central Pennsylvania has reported on the new disclosures, leaving the administration’s obfuscations intact. [Update, Aug. 26: The Williamsport Sun-Gazetteinforms me it is working on a story on the topic.] Stamm and Smith have not responded to my requests for comment, and Burch, when reached, declined to comment further.
Prior to the release of the materials, the school administration announced at an Aug. 4 board of education meeting that a “public performance policy” had been put in place. It says, in part:
Material that is generally considered offensive, suggestive, or demeaning based on race, religion, age, gender, or sexual orientation is not appropriate for school performances.
What the policy did not say is that material supporting inclusive representations of race, religion, age, gender, or sexual orientation would be encouraged. Currently in Pennsylvania, marriage equality is the law, however there is no equal rights protection for sexual orientation.
Students return to school in South Williamsport today with the false impression that their drama director provoked an unfounded controversy. What they don’t know is that their principal and superintendent assert that LGBTQ life is unsuitable for families to see, that their parents might be “afraid” of “small kids” seeing gay relationships even in a broadly comic setting, and that there are concerns about attendance at such a show because the material is “risqué.” The students also don’t know that their principal believes that LGBTQ representation might force some of them to make decisions about their personal beliefs, which is presumably part of education and maturation. There are important lessons still to be taught in South Williamsport, but only if the school administration and the community learn them first.
To see this article as it appeared on Slate, click here
Once each year, the world turns its eyes to Williamsport and South Williamsport PA, as young athletes from around the globe compete in the Little League World Series. This year has garnered particular attention for the wunderkind pitcher Mo’ne Davis, whose story has united people across any manner of gender or racial lines, through the talent and grace of a single young woman. Less publicly and widely known, however, was that over this summer, the administration of the South Williamsport Area School District and the town’s Junior/Senior High School had been working against the very spirit of inclusion and diversity that is in abundant evidence on the town’s ball fields. (My previous reports were posted on July 2 and July 15.)
It was first reported by the local television station WNEP on July 1 that the school principal had canceled plans for a production of the musical Spamalot, slated for the 2014-15 school year. The reason cited, according to drama director Dawn Burch, was the musical’s gay content, which includes a same sex wedding. While a particularly incendiary statement in that initial report, about homosexuality not existing in the community, was attributed to principal Jesse Smith, it was declared inaccurate by all parties, and excised as of July 3.
The Sun Gazette of Williamsport, on July 3, reported that Dr. Mark Stamm, the district superintendent, denied Smith ever made the excised statement, though Stamm never spoke directly to the broader issue of the show being canceled over gay content. He also declared that the production had not been approved according to district policy.
Because Burch, acting on advice of counsel, would not release her communications with Stamm and Smith to corroborate her account, I became one of at least two parties to seek access to the school’s internal communications about the show under the State of Pennsylvania’s Right To Know Law. I received the materials in question yesterday, August 20; the metered postmark was August 18.
In brief, the materials make clear that Burch was telling the truth about Smith’s statements, namely that “homosexual themes” were the reason the show was being rejected, and that despite Stamm’s assertions as the story went public, it would seem Burch had very likely gone through the proper channels in seeking approval for the show or at the very least honestly and openly believed that approval had been given.
Cause of Cancelation
Regarding the assertion that Principal Smith had cited gay content as a cause for canceling the show, I quote first from an e-mail Smith sent to Burch on June 27, 2014 at 10:58 am. The first three paragraphs are redacted and only the following can be read:
“Finally, you told me late in the school year that you were looking to perform Spamalot for your spring 2015 musical. I have some concerns such as a guy sending another guy a message on girl’s underwear and a gay wedding to be performed. If you are still planning to perform this then we will need to talk.”
A cover letter to the materials provided to me by the school’s Open Records Officer – Dr. Stamm – states that six e-mails between Stamm, Smith and/or Burch on the dates June 27 through June 30 were withheld because they contained some combination of a) performance evaluation, b) written criticism of an employee and/or c) identifies child then aged 17 years or less.
Whatever was said in those e-mails aside, Smith sent an e-mail to Burch on June 30, 2014 at 7:27 am asking her to choose a different musical. He questioned the appropriateness of Spamalot as follows:
“I am not comfortable with Spamalot and its homosexual themes for two main reasons:
1. Drama productions are supposed to be community events. They are supposed to be performances that families can attend. To me, this kind of material makes it very hard for this to take place. I don’t want families to be afraid of bringing small kids because of the content. I don’t want members of the community staying home because they feel the material is too risqué or controversial.
2. I think that choosing productions with this type of material or productions that may be deemed controversial put students in a tough spot. I don’t want students to have to choose between their own personal beliefs and whether or not to take part in a production.”
So Mr. Smith feels that love is controversial, that homosexuality is risqué. He feels that people might be afraid of exposing children to it. To that I say: Mr. Smith, your statements condone the homophobic members of your community and seek to consign every gay resident to second-class status. Yet their love is not something to be feared or hidden any more than any romantic relationship of yours or Dr. Stamm’s or my own. You are coddling those who would seek to suppress and condemn, instead of setting an example of respect, equality and inclusion.
Yes, by statute Pennsylvania is inconsistent in its position on LGBT issues, in that marriage is legal for all, regardless of the genders of the couple, however the state doesn’t yet afford equal rights protection regardless of sexual orientation. But Smith is teaching lessons seemingly drawn from outdated textbooks. The law will catch up soon enough with society, either on the state or federal level, insuring equal rights for all. Stamm’s position that Smith’s decision regarding Spamalot “is sound” (e-mail from Stamm to Burch, June 30, 2014 at 1:12 PM) can be taken to mean that he condones the same discriminatory attitudes that would erase gay life, in any context, from the school’s stage. As an aside: the Motion Picture Association of America’s Ratings Board may share the school administration’s general view on representing homosexuality, according to critic Stephen Whitty of The Star-Ledger.
Approval of Spamalot
The earliest materials provided to me by the school district are dated June 27. As quoted above, Smith acknowledges that he had a conversation during the school year with Burch about her intention to produce Spamalot, and expresses specific reservations. However, there is no correspondence indicating prior approval, leaving conflicting accounts by Burch and Stamm in the press.
This leads to the very last item in the materials I received: a check dated May 12, 2014 to Theatrical Rights Worldwide, the licensing house, for $1,935, with the note “For Spring Musical – Drama.” It is signed by Jesse Smith. In an statement to me as I began exploring this situation, a representative of Theatrical Rights confirmed to me that an executed license was in place between the company and the school for Spamalot. The school also provided a copy of the Spamalot contract, signed by Burch, dated May 7, along with the check request (which did not specify the show title, only “Spring Musical License/rental/materials).” So how did a check get signed by Smith and sent to the company for a show that ostensibly wasn’t approved? Would Burch submit a check request for a musical that hadn’t been approved for Smith’s signature?
Any school administrator who has any experience in licensing theatrical material is certainly aware that payment is made in advance, not following a production. A Facebook events post shows that the school’s 2014 musical, How To Succeed In Business Without Really Trying, was produced in March of this year. So it is exceedingly unlikely the check could have been construed to be payment for that production two months in arrears. The school provided me with check requests and check duplicates for perusal copies of other shows that Burch looked at, perhaps to suggest that there was confusion, but there’s only one contract, and the only check other than the one that corresponded to the Spamalot contract that over $100 was the license fee for this fall’s play production.
I can draw only two possible conclusions. The first is that Burch had secured the proper approval, albeit verbal, for the production of Spamalot, and Smith’s concerns only arose roughly six weeks after he signed a check for the rights. In that case, he was backtracking on his prior approval and Stamm’s comments reported on July 3 were either misinformed or willfully meant to obscure the events. It would be very interesting to know what prompted Smith’s change of heart, if that is the case. When did Smith discover content he objected to, and how?
The second possibility is that Smith signed a nearly $2,000 check to license a show he hadn’t approved. In my training and experience, anyone with financial responsibility is expected to know what they’re paying for. A common practice is for a check request, along with either an invoice or a contract (or both) is attached as backup to a check ready for signature. I cannot speak for the business practices of the South Williamsport School District, but if this is the truer of my two scenarios, then it appears Smith didn’t follow a fairly standard fiduciary protocol and review the license he was paying for, and now wants to distract from that oversight by blaming Burch, who appears to have been operating openly and in good faith.
Now What?
With Jesse Smith’s statements about suppressing the representation of homosexuality at the school now public, perhaps he will speak about the entire situation; he has not done so publicly to date. Both Smith and Stamm should repudiate their positions – and acknowledge the truth of Burch’s original assertions – or they must deal with being known as educators who appear to deny the truthful, honest lives and loves of many of their students past, present and future, as well as the LGBT community locally, statewide and even nationally.
From my perspective, I don’t understand why, once they knew they had to reveal their positions as a result of the Right-to-Know requests, Stamm and Smith didn’t own up to what had taken place and get out ahead of the story with an apology. Instead, they have left it up to me and others to reveal the truth, which will no doubt be picked up and explored by yet more who care deeply about equality in our society. They would do well to immediately consult with local LGBT groups about establishing a Gay-Straight Alliance at the school in the next few months, to demonstrate their commitment to the open acceptance of all of their students. They should also make clear that Burch may produce plays, musicals or both that include “homosexual themes.”
And where does this leave Dawn Burch, a drama director who couldn’t quietly accept the administration’s exclusionary position and spoke out? Well as this news was first breaking, on July 3, 2014 at 8:39 am, Dr. Stamm wrote to her that, “The feedback we received from the community, both local and national, is being given appropriate consideration. Whether or not you are able to return as the drama director, is a decision that you will have to make.” It is important to note that Burch is a contract employee, not a teacher; she has no tenure. I hope the school system stands by letting her decide her future and that she stays on to run the theatre program, for the benefit of all the students, not just those whose lives find favor with those in power. And no matter what shows she puts on – in correspondence disclosed, she did express a willingness to consider other shows for the coming year, but not without the source and the reason for the change in selection being known – I look forward to visiting South Williamsport to applaud her.
* * *
I e-mailed Dr. Stamm and Mr. Smith last evening at 6:43 pm, asking if they would speak with me on the record about the situation, setting a 9 am deadline. As of 9 am this morning, neither had responded. When I reached Burch by phone last evening, she declined to comment further on the situation. Should any of the parties contact me for an on-the-record conversation subsequent to the publication of this post, I will add to it here or write additional posts as warranted.
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Howard Sherman.